It is impossible to have studied Architecture in New Zealand and not have heard of Ath. His work across the country and most concentrated in Wellington will be a constant reminder of his contribution to our built environment.
Over the last two days 12 of New Zealand’s top architecture graduates battled it out for the coveted NZIA Graphisoft Student Design Award.
As always the quality of the work was exceptional.
This years winner was Tom Dobinson from Victoria University with his project ‘Wharf Dwellers – An Expose Of Lyttelton‘
Highly commended were Ji Min An from Unitec with ‘Korea Korea’ and Norman Wei from Auckland University with ‘SUPER-PACIFIC-CITY: The Saga Of Lomipeau’
You can read the Judges citations below the gallery.
Auckland University, School of Architecture and Planning
Architecture of Coexistence: Regenerating Royal Oak through Urban Acupuncture
Focusing on his own neighbourhood in Royal Oak, Raimana addresses an Auckland-wide issue: the domination of suburban communities and architecture by vehicle traffic. Light touch interventions reveal a respect for the existing building fabric and a sympathetic understanding of local social conditions.
Rotovegas: Playground of Flux
By marrying speed and play with urban infrastructure, Natalee has produced a hyperbolic, hyper-real version of Rotorua, New Zealand’s tourist playground. The scheme – engagingly presented in sulpher-yellow renderings and with a rhyming couplet commentary – mandates drive-through fun for locals and visitors.
Zee Shake Lee
Moving Grounds: Irrupting Three Kings’ Inverted Volcanoes
Zee Shake’s polemical and provocative scheme is a dramatically unorthodox option for the development of one of Auckland’s much-abused volcanic cones. The moody presentation of a series of propositions provides a strong indication of the form of the architectural response to a man-damaged landscape.
Norman Wei – Highly Commended
SUPER-PACIFIC-CITY: The Saga of Lomipeau
Drawing inspiration from the Tongan myth of sea-faring Lomipeau, Norman Wei has proposed a big-boat, hydraulically powered solution to the Pacific problem of impending inundation. The horizons of this inventive, exuberant and well-illustrated scheme stretch well beyond the Islands to the shores of Asia. It’s an ingenious and very optimistic scenario.
UNITEC – Department of Architecture
Piranesi: [Th]reading the Repository
Flora’s proposal explores the mysteries of Piranesian space, as illustrated in the Carceri series of drawings, and expresses a contemporary spatial approach that resonates with Piranesi’s ideas. The scheme is a brave attempt to make design sense, through physical and digital models, of Piranesi’s claustrophobic, labyrinthine vision.
Ji Min An – Highly Commended
Jo Min’s entry is a well-judged means of using architecture to explore an intractable political problem. The proposal for a factory sited in the middle of the Korean DMZ in which workers from both North and South would produce Kimchi – the non-partisan national dish – is clearly presented, tightly edited and very focused. It also manages to be both realistic and optimistic in its appreciation of an issue architecture could only ever alleviate, not solve.
Swim Or Sink
Mayank’s innovative and research-driven proposal responds to the situation of the Maldive Islands which, thanks to global warming, face a submarine future. Semi-submersible oil rigs are re-purposed as platforms for displaced communities; the scheme is logical, knowledgeable, and clearly explained and presented.
The Steaks Are High
Shane foregrounds the issues attending modern bovine grazing in his proposal for a vertical urban tower for the production of beef. A cow ‘cradle to grave’ system – it could also work for goats and pigs, where culturally appropriate – confronts city dwellers with the realities of the provision of their meat. The scheme is supported by in-depth research and was rendered possible by an enterprising, problem-solving attitude.
VICTORIA – Department of Architecture – Faculty of Architecture and Design
Plan B Hive: An Outpost In The Hinterland
After an earthquake in Wellington the Beehive’s occupants are relocated to a groundscraper fortress in the Kapiti Coast foothills. Clever siting, a bold and singular formal treatment, and a strong polemic distinguish Benjamin’s scheme. This is a real proposition, presented with wit and verve.
Topology Of A Phantom City
This is a brilliantly illustrated presentation of an ambitious proposal to address the needs of inhabitants of slums or ‘informal settlements’. Hamish’s scheme envisages the combination of basic digital technology – the ubiquitous Minecraft game – with a sophisticated, vertically integrated system that recycles waste into energy and the construction materials needed to build sustainable communities.
Tom Dobinson – Winnder
Wharf Dwellers – An Expose of Lyttelton
Tom’s proposal to open up public access to Lyttelton’s privatized wharf, and at the same time explore the town’s ‘underbelly’ and the persona of one of its distinguished inhabitants, the artist Bill Hammond, is inventive, curious and assured. The scheme is the very impressive product of a highly iterative process. Clearly and legibly presented, and well put together, it reveals its author’s talent for analysis, skill in assembly, and deep interest in the social and architectural condition of his hometown.
E Toe Sasa’a le Fafao ; Return to Paradise
Carinya’s scheme for the regeneration of a tsunami-damaged Samoan fishing village expresses her impressive immersion in the project and her commitment to mastering craft skills. Scientific data and fieldwork interviews have informed good architectural judgement, exhibited in the sensitive amalgam of traditional principles and construction methods and modern architecture.
At the end of the APPC conference in Seoul we had a team building activity that took place at the Dongdaemun Design Plaza.
This gave me a chance to take some interior photos following my exteriors from earlier in the week.
In some areas the concrete forms were plastered and painted bright white, while in others the concrete was left ‘unfinished’. Overall the interiors were just as stunning as the exteriors with lots of free forms.
Well the year is quickly disappearing and we once again had the pleasure of sponsoring the NZIA Graphisoft Student Design Awards.
The grand final was held last night in Auckland in front of an enormous crowd – the best turn out in the 6 years we have been sponsoring the event.
David Sheppard, John Melhuish and Camilla Block had the unenviable task of judging this years awards and while they felt there was a clear winner they were blown away with the calibre of all the work.
Taking out the top prize this year was Raphaela Rose of Auckland University.
Highly commended were Sacha Milojevic (the son of my first year History of Architecture lecturer – Michael Milojevic) and Nathan Swaney, both also of Auckland University making it a clean sweep – the first time since our invovlement began.
All the students should be congratulated for the efforts they put in to make this a fantastic event.
Victoria University of Wellington, School of Architecture
Ashley Beck – Bio-Body Reactor
This exploration of the complex relationship between humans and machines (cyborgs) is presented with impressive, evocative imagery. Integral to the concept is the presence of algae and its potential to sustain humanity on several levels. The building itself has a cinematic, menacing and thought-provoking quality.
Toby Coxon – Desiring Affect
This ambitious investigation into the beginnings of the design process questions the fundamentals of static habitation. The result is a proposed bakery/café composed of a sequence of sculptural, elastic spaces.
Tara-Lee Carden – City of Flux: liberating the concrete terrain
This imaginative proposition grapples with the almost insurmountable problem of impending sea level rise. Moats, canals, locks and aqueducts are all employed to create a new urban playground and work precinct on the Wellington waterfront. The need to think beyond artificial property lines and take into account the city’s underlying geomorphology is addressed directly and confidently.
Hayden Grindell – Date with Data
An unglamorous and ordinarily unseen part of our infrastructure – data storage – takes centrestage in this project. Several solutions are investigated, one a self-contained tower of austere beauty. In another, complex, sectional relationships are explored to house disparate uses with deft integration of the groundplan.
Auckland University, School of Architecture and Planning.
Marianne Calvelo – MAD WOMEN: a contemporary architectural translation of domesticity
One of Auckland’s much-loved buildings, St. Kevin’s Arcade, is reinterpreted as the headquarters for Architecture + Women NZ. The result is a genuine alternative to conventional workspace, with cleverly integrated children’s play areas and flexible gathering rooms. The whole is intimate and intricate.
Nathan Swaney – Extraction Lands and the Permanence of Production
Offshore oil and gas rig hardware, salvaged and recycled as a ship-breaking yard, is this project’s guiding idea. The scope is expansive and heroic. The themes of industrial decay and rebirth – as well as waterfront habitation – are convincingly juxtaposed.
Sacha Milojevic – Newmarket Campus as a Porous Megaform
Created with intelligence and intuition, this project offers a vision of an educational community, conceived in an organic manner from a series of single rooms outwards. It recognises the ‘world apart’ quality great universities share, yet does not ignore its urban context. Every part of this deftly presented scheme exudes a sense of passion for architecture.
Raphaela Rose – Sex(uality) and the City: Counteracting the Cock-ups of Auckland’s Main Strip
Architecture is cleverly and gainfully employed as a mocking tool in this mischievious, satirical project. The scenario calls for the city blocks containing the Sky Tower, casino and proposed new super-brothel to be surrounded by a fun park themed by recent local sex scandals. The result is a joyful, rollicking series of attractions, each of them like an exquisitely and wittily conceived fable. Beneath that sugar-coating, a subversive message filters through, undermining the current environment that has been foisted upon the city.
UNITEC – Department of Architecture
Michael Holehouse – Architecture for the Whangamarino Wetland
Conceived as a distilled series of poetic moments, this project sensitively opens the door to a previously inaccessible wetland. Considered, restrained archetyptal forms (demonstrated by highly crafted models) have been designed to eloquently acknowledge the ground conditions on which they stand.
Tessa Crosby – Social Sutures; the integration of the medical facility into the urban tissue
This well-researched and articulated project relocates an oncology building from the isolated hospital campus to a central CBD site. It re-imagines the ground floor as a public convention centre and the beginning of an architectural promenade through the site and building. A humane and sensitively conceived piece of work.
David Cook – Reclaiming the lost city
This design for a civic arts space is a thoughtful response to some of the questions now facing Christchurch. Using materials lovingly rescued from earthquake rubble, a centrally placed oculus acts as a symbol of light and hope. The spirit of preservation embodied by the project provides an alternative to wholesale demolition.
Daniel Smith – Humanitarian Architecture, People, Place & Power
The challenges facing a western architect assisting in a Third World country are at the heart of this project. After exhaustive consultation with the inhabitants of a Cambodian village, the architect has arrived at a sensitive, honest solution for a series of new public buildings. A limited palette of materials and construction techniques, together with difficult climatic conditions, have been harnessed to deliver a convincing, positive outcome.
It’s been a busy year which is why posts have been few and far between. But as the year slips away we get to that time where I hit the road for the NZIA Graphisoft Student Design Awards. Two weeks ago I was in Wellington for the Victoria School of Architecture Awards and last night was Unitec’s turn.
Wednesday night however was the major event where we celebrated the work of the top 12 fifth year students across the three schools of architecture. The quality of work on display continually improves and astounds all involved.
This year I had the great privilege of awarding the top prize to Arnika Blount from Unitec – the first time Unitec have picked up the top award during our five year involvement with these awards.
The jury citations for Arnika along with the two highly commended students are below the photos of Arnika’s project.
Arnika Blount Unitec Department of Architecture
Recognising that a chance discovery presented a wonderful opportunity, the entrant has produced a highly resolved scheme that draws on impressive research and expresses a strong vision. The imaginative, credible and compelling re-use of an underground reservoir buried alongside Auckland Museum as a contemporary cabinet of curiosities is an inspired and innovative premise. With its echoes of Sir John Soane’s Museum and the cavernous realms of Piranesi’s drawings, the sophisticated project is a celebration of structure; it posits an outcome that is both poetic and tantalizingly possible.
Victoria University of Wellington, Faculty of Architecture and Design
Project: A New Agora
In this timely, well-researched and cleverly conceived project, an existing site in coastal Sumner, and familiar recreational activities, are used as the basis for a new type of suburban settlement. A sports field and its attendant grandstands are turned into a model of more intensive and more interesting habitation. The ‘new agora’ incorporates dynamic and well-planned living and working spaces, and is a vehicle for gently moving reluctant suburbanites towards a more intensive built environment. It’s a disarmingly casual and impressively creative solution.
Erica Austin, Jacky Lee, Praveen Karunasinghe, David Wong, Biran He, Alexander Haryowiseno University of Auckland School of Architecture And Planning
Project: Future Christchurch
This is an exceptionally professional treatment of a challenging situation – the reconstruction of post-earthquake Christchurch – presented in an exemplary manner. Indeed, the presentation would be the envy of many professional bodies or agencies. The rigour of the research is evident, as is the concerted effort to make sense of the findings. The whole exercise demonstrates the virtue of collaboration; the project could not have been realized to this level if it had not been a collective effort. Therefore, besides being admirable in itself, it shows the way forward for the architectural profession by highlighting the skills architects bring to complex urban problems.
Since I started this Blog I have at various times posted photos of architecture from my overseas visits. For a long time I’ve been meaning to post about New Zealand Architecture, so here goes.
Late last year I visited the upgraded Auckland Art Gallery Toi o Tāmaki. I took a few photos with my phone but never got round to posting them.
Last month, at the NZIA Annual Architecture awards the Art gallery was awarded New Zealand’s top prize in Architecture the New Zealand Architecture Medal. This recognition prompted me to finally write a post.
“The Auckland Art Gallery is a most deserving winner of the Architecture Medal,” says the convenor of the awards jury, Wellington architect Hugh Tennent. “There were high hopes for this building, and big challenges to overcome. The architects had to work with an existing heritage building and a sensitive site on the edge of Albert Park, as well provide all the spaces and amenities required by a twenty-first century art gallery.”
Originally built in 1888 (an old building by New Zealand standards) the Gallery has been restored, strengthened and extended. The detailing of the extension is amazing with the quality of craftsmanship clear to see.
As an aside, for those of you who aren’t from Auckland, while you can’t experience the building in person you can view the Gallery’s collection via Google’s recently released Art Project.
There is no doubt that Building Information Modelling (BIM) is and there are a number of initiatives happening in both New Zealand and internationally that reinforce this. However, exactly what BIM is still causing wide-spread confusion.
A recent survey by Masterspec here in New Zealand while on one hand showed a high percentage of respondents saying they use or are aware of BIM, when asked what BIM was results varied greatly! The survey is definitely worth a look for those in the NZ Building Industry.
Lastly anyone who thinks BIM is just about software needs to read this article – Getting a BIM Rap: Why Implementations Fail, and What You Can Do About It – again from AEC Bytes. It outlines that significant organisation change is required for BIM adoption and those that don’t make fundamental changes are likely to fail with their BIM adoption. I particularly liked the story of the CEO who attended all the training sessions to help set an example. CEOs in my mind should almost be called CCM’s – constant change managers but that is a topic for another post I have been meaning to write for sometime.
Winner, RMB Commercial Project of the Year, Registered Master Builders Awards 2011
A challenging brief with a double ambition meant that the redevelopment of the Wellington International Airport Passenger Terminal, completed in 2010 in association with Warren and Mahoney Architects, required a unique and innovative design.
The first task was to meet a set of complex technical specifications and optimise the available pocket building site, heavily constrained by aircraft choreography. In conjunction with external apron works, the project involved the expansion of interior open lounge floor area, new retailing, linkages from the new passenger processing area and an increase to eight aerobridge-capable gates.
As the gateway to Wellington for international passengers, the brief also demanded that the building offer a memorable visitor experience through a unique, edgy aesthetic that embodied a strong sense of place.
The oscillating outline of the new building was derived from the curved indentations of aeroplane docks into the confined triangular site. The organic irregularity of this outline dovetailed with the concept of the building as a crusty, enigmatic rock embedded in the runway – a gesture to the land’s geological past, recalling its kinship with the craggy, sea-battered Wellington coast. A radical departure from contemporary airports worldwide, preoccupied with the imagery of lightness and flight, the Rock terminal instead evokes the anchoring qualities of the land that rises to meet planes as they touch down and the coast that recedes away from them as they depart. Its copper finish is a mirror for Wellington’s swift transitions from grey sky to gold sunlight, as well as providing unparalleled durability in a corrosive environment of sea air and aircraft fuel gases.
In contrast to the bland, mall-like interiors that typify most international airports, the interior of the Rock exudes warmth and resounds with personality. Honey-coloured macrocarpa ply softens theatrical strata of dark-stained panels fissured with light. Spaces unfold on varying levels and exploration is welcomed, with journeys through the interior gently modulated by a series of ramps. Travellers are able to enjoy interior areas that are engaging and restful, impressive and intimate.
Client: Wellington International Airport Ltd.
The Company– Studio Pacific Architecture
Studio Pacific undertake a large range of projects, from small individual furniture items to large projects involving entire new towns. The small scale work includes new houses, additions and alterations, and retail work. The larger schemes include large multi-unit residential and commercial buildings as well as masterplans and landscaping.
Studio Pacific was established in Wellington in 1992 by the three directors: Nicholas Barratt-Boyes, B. Arch, ANZIA, RIBA; Stephen McDougall, B.B.Sc, B.Arch, FNZIA; and Evzen Novak, B. Arch (Hons), ANZIA, RIBA. Prior to establishing the Studio, all three directors studied and/or worked together in New Zealand before working for a period in Europe: Evzen studied in Berlin and worked in Switzerland and London, while Nick and Stephen were based in London and worked on projects throughout the U.K. and Europe.
The collective international experience gained by the directors in Europe set the platform and influenced the direction of the practice. From early design competitions and small residential commissions Studio Pacific has evolved into an award-winning substantial and creative practice with diverse projects throughout New Zealand. Particular recognition has been given to the studio for working with the arts, urban regeneration, housing, masterplanning and contemporary workspace planning.
Marcellus Lilley – Associate, Lead Project Architect for The Rock
B.B.Sc, B.Arch, ARB (UK), ANZIA
Marcellus Lilley joined Studio Pacific in 2003 and has been an Associate since 2005. Marcellus has a Bachelor of Building Science and a Bachelor of Architecture from Victoria University of Wellington, and has completed post-graduate study at Westminster University, London en-route to becoming a registered architect in the United Kingdom. He is also a New Zealand registered architect.
Marcellus has broad experience in urban renewal, mixed-use and multi-unit residential projects during five years of working in London, and before that, education and residential projects in the Hawkes Bay. Since joining Studio Pacific, Marcellus has been lead Project Architect on the MOTAT Aviation Display Hall project, the Wellington International Airport Terminal Development Project (Stage 01 and Stage 02) in addition to various smaller commercial and civic projects and competition work such as the Royal Society of New Zealand Campus.
Marcellus also co-ordinates the Studio systems group (SPARK) that monitors and develops the Quality Management System utilised by the Studio.
He has travelled extensively and maintains a keen interest in design and the delivery of projects through the role of Project Architect.
Karl Frost – Senior Technician
Karl graduated with a Bachelor of Building Science degree with Honours from Victoria University in Wellington in 1990. He started in the building industry with Jasmax, working on the Te Papa Tongarewa Museum of New Zealand project in the Auckland office for 2 years and then on-site in Wellington for 2 more years. This was followed by a brief stint overseas before he returned to Wellington in 1999 and joined Studio Pacific Architecture. Since then he has worked on a wide range of urban and commercial projects.
Karl is one of Studio Pacific’s most experienced CAD users, skilled in both modelling and documentation. He has worked as a team member on a number of commercial projects as a CAD leader and technician. His experience is invaluable for coordinating CAD information between Studio Pacific and other consultants.